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6 Following

Following (6)

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Listening History

Gettin' Down: Open Floor Soundscape
Open Floor Soundscapes
Gettin' Down: Open Floor Soundscape

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2

1,090

1:00:16

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2
CMR Webinar Series | Towards & Away | Jake Potter
Open Floor International
CMR Webinar Series | Towards & Away | Jake Potter

other

179

29:10

other

Gettin' Down: Open Floor Soundscape
Open Floor Soundscapes
Gettin' Down: Open Floor Soundscape

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2

1,090

1:00:16

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2
BlackLivesMatter: Open Floor Soundscape
Open Floor Soundscapes
BlackLivesMatter: Open Floor Soundscape

open floor

ecstatic dance

black lives matter

embodiment

+4
+3
+3
+3
+2
+2
+2
+1

832

47:50

open floor

ecstatic dance

black lives matter

embodiment

+4
+3
+3
+3
+2
+2
+2
+1
Gettin' Down: Open Floor Soundscape
Open Floor Soundscapes
Gettin' Down: Open Floor Soundscape

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2

1,090

1:00:16

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2
CMR Webinar Series | Towards & Away | Jake Potter
Open Floor International
CMR Webinar Series | Towards & Away | Jake Potter

other

179

29:10

other

PURE PRACTICE - Koha korikori
HQ
Open Floor with KAIAKINDNESS
Pro User
PURE PRACTICE - Koha korikori

199

52:28

Tuia - Values - Final class of term - Anchors and Pou x
HQ
Open Floor with KAIAKINDNESS
Pro User
Tuia - Values - Final class of term - Anchors and Pou x

125

1:41:05

Gettin' Down: Open Floor Soundscape
Open Floor Soundscapes
Gettin' Down: Open Floor Soundscape

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2

1,090

1:00:16

open floor

ecstatic dance

embodiement

dance

+4
+3
+3
+3
+2
+2
+2
Dancing what's here: moving and including our emotions as creative fuel for the dance.
henryfowkes
Dancing what's here: moving and including our emotions as creative fuel for the dance.

512

53:34