On Superfly, Matt the Hammer Valentine takes aim at Missy Elliott’s “Superfly,” tearing into it with mockery and turning a throwaway pop hook into the namesake of the night. That sarcastic jab sets the tone for a show where absurdity meets sharp taste: you’ll hear Mouse on Mars and Luke Vibert twisting electronics, Negativland colliding with Moon Socket fuzz, and Aphex Twin’s “Milkman” rubbing shoulders with Wesley Willis, Shampoo, and The Sultans of Ping.
The talk breaks are loose and unpredictable — drifting between SimCity distractions, half-serious announcements, and offhand tributes like a William S. Burroughs cameo on Material’s The Western Lands. It’s a night of playful chaos, where satire and sincerity overlap, stitched together by oddities and underground gems. Superfly is messy, funny, and defiantly left-field — exactly the kind of show that proves college radio was never meant to play it safe.
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