L∆VINCi rejects the binary choice between being a "mad scientist" in the studio or a "charismatic lead" on stage. Projects like his 45-minute musical, "Toy Machine," showcase his studio-focused ambition and world-building. Yet, when the lights dim, the producer makes way for the live artist. His sets are visceral, high-energy experiences that draw on his history as a performer, requiring the same improvisational spirit he honed on the trombone.

"The phrase 'Jack of all trades, but a master of none' is often used as a critique," L∆VINCi notes. "But the full sentiment is: 'A jack of all trades is a master of none, but oftentimes better than a master of one.'"