n the early 90s KOMPRIPIOTR started working with electronic soundforms and has since then covered the whole spectrum between sound art, actionism and music. His diverse and unconventional performances and installations resemble a dialogue with the unpredictable and combine so-called “sound accidents” with improvisation and spontaneity, aleatoric in generally. KOMPRIPIOTR aims at composing and deconstructing on multiple levels. His experiments illustrate the physical power of sound and the geometry of harmonic spaces in nature by creating a multidimensional matrix where threads of delicate fragments emerge and intertwine with raw sounds according to natural logic. Sensesaesthetics and ample space for coincidence are essential parts of KOMPRIPIOTR’s work. There are no boundaries when it comes to technique; anything will do to produce, extract and manipulate sound – from DIY “circuit bending” instruments to musique concrète and more. http://kompripiot3.wix.com/kompripiotr