131025 Crazy

Morales and Munzibai (aka "M and M") were a professional remix and dance record editing duo composed of John Morales (born 1954, The Bronx, New York[1]) and Sergio Munzibai.

Biography
The duo, both as individuals and as a team, produced a vast number of dance-oriented releases, distinguishing themselves by including Latin percussion in many of their efforts, utilising their mutual heritage to stand out in an era when many were jumping on the bandwagon and joining their profession. One of their most high-profile collaborations was with the Canadian duo Lime. The duo's remix of Lime's "Angel Eyes" was a visible highpoint in the evolution of house music in the mid 1980s, and they remixed and edited Lime's material for an entire greatest hits disc.

John Morales had helped to pioneer the use of editing for dancefloor remixes of records (prior to remixing 'proper', which he also helped to shape in technique). Morales had risked the ire of legendary disco diva Jocelyn Brown by deliberately using a vocal line that she had requested he leave out of the final mix of a recording of hers. He included it because it "felt right". When the record was a hit, she feigned disapproval but expressed joy at her success, and the two began a lasting friendship. Morales would be involved in many of her subsequent releases throughout the 1980s.

Munzibai is described by Morales as being a very social person who made it much easier for him, shyer than his partner, to focus on the music while Munzibai handled the ubiquitous politics of artist, manager, label, and promotional relationships.

Munzibai died in 1991.

John Morales took a few years away from the music business. In 2006, he launched a website dedicated to his work, past and present. The site announced that he had remixed the Love Man sessions by Marvin Gaye for the deluxe re-issue of Gaye's In Our Lifetime, his last album for Motown records before moving to CBS Records.

@donald-santoro John Morales is a legendary DJ, remixer, and producer recognized for pioneering the extended mix format and influencing disco and house music. Hailing from the Bronx, he is highly respected in the dance music community for his work dating back to the 1970s.
Career highlights
Pioneering remixes: In 1975, Morales began splicing tape with a razor blade to create longer, more danceable versions of tracks for his DJ sets. This was an early form of the extended mix, a format that became fundamental to disco and dance music. His early acetate releases caught the attention of producers and led to his first credited remixes.
DJ residences: Morales has performed at some of New York's most famous clubs, including Studio 54, Limelight, and Stardust Ballroom. He also held residencies at the radio station WBLS, where he created weekend and midday mixes.
The M+M Mixes: From 1982 to 1990, Morales partnered with Sergio Munzibai to form the prolific M&M Productions. The duo produced over 450 remixes for major artists like the Rolling Stones, Tina Turner, Aretha Franklin, and Marvin Gaye.
Recent work and tours: After a hiatus in the 1990s, Morales returned to music and remains an in-demand DJ and remixer. He performs at major clubs and festivals around the world, such as Glitterbox in Ibiza and London, Defected Croatia, and Ministry Of Sound. His remixes and compilations continue to be released on labels like BBE and Quantize Recordings.
Notable mixes and compilations
Morales is known for his compilations showcasing his iconic remix work.
The M+M Mixes: NYC Underground Disco Anthems (volumes I–IV): A series of compilations featuring his extensive remix catalog.
John Morales Presents Teddy Pendergrass: The Voice - Remixed With Philly Love (2022): A compilation of his remixes of legendary soul singer Teddy Pendergrass.
Club Motown (2014): A special project focused on remixes of Motown hits.
Recognitions
Dance Music Hall of Fame: Morales is considered a legendary and foundational figure in the development of dance music and remixing.
Extensive Discography: His full discography, including both credited and uncredited work, is vast and influential

@donald-santoro Just WOW 🤩🙏👏👏👏👏👏

The following musicians performed on the Manhattans' 1983 song "Crazy":
The Manhattans
Lead Vocals: Gerald Alston
Backing Vocals: Winfred "Blue" Lovett, Edward "Sonny" Bivins, and Kenneth "Wally" Kelly
Other musicians on the track included Leslie Ming on drums, Wayne Brathwaite on electric bass, and Steve Williams on guitar. Keyboards, piano, electric piano (Rhodes), synthesizer (Moog), and drum programming (Linn) were performed by John V. Anderson, with Steve Williams also contributing to drum programming. The song was written by John V. Anderson, Steve Williams, and Steve Horton, and produced by Anderson and Williams.

Your wealth of knowledge is outstanding. Thank you for your support and comments all very much appreciated (Hope you listened to the rest, it gets better. 🙏🎶🎵😀

The track "Just the Way You Like It" by Leon Bryant is a mid-tempo modern soul song released in 1981, not to be confused with the 1984 S.O.S. Band track of the same name. Information regarding the specific musicians and writers is limited, but the track's album credits offer some insight.
Writers and producers
The track "Just the Way You Like It" was written by Leon Bryant.
It was mixed by Leon Bryant, Jim Bonnefond, and John Christopher.
The album's executive producer was Gabe Vigorito.
Musicians
While specific instrumental credits for the title track are not listed, the album credits offer a list of musicians who contributed to the 1981 album, including:
Strings and Horns Section: Arrangements conducted by Lou Hemsey, with many musicians contributing. Notable musicians include:
Concertmasters: Gene Orloff, Harold Kohon
Strings: Eugenie Dengel, Fred Vioutu, Linda Ross (3), Marilyn Wright, and many more
Harp: Gene Bianco
Trombone: Wayne Andre, Allan Ralph (bass trombone)
Tenor Saxophone: George Marge, Eddie Daniels
Baritone Saxophone: Hank Freeman
Other Musicians: Other musicians credited on the album include Tenor Saxophone and Oboe player Phil Bodner, and Trumpet and Flugelhorn players James Sedlar and Joe Shepley.

I ❤️ NJ2

😂

So glad you liked this Jonathan. The 80s is definitely my favourite time for the music I’m into. Your comments and support very much appreciated thank you 🤩👍🎵🎶🙏