I've been mixing since 1987, first behind the decks in clubs and on reel-to-reel recorders, Akai samplers, and sequencers - when those were true novelties. Back then I was cutting and layering Italo disco, shaping the sound with the same obsession for detail that drives me today.
Now, in my home studio, I apply that same craftsmanship to peak-time and melodic techno: trimming every track to its most explosive core, blending with precision effects, and building mixes that keep the energy relentless.
No matter the genre, I apply the same obsession: cutting tracks to their most powerful essence, blending with speed and precision, and building an unstoppable flow. Some music can't handle it - but when it works, it transforms in pure energy.