Vol. 4 is built like a real time mix.
Structured with a clear arc, but with interference throughout — fragments of voice, memory, and moments that don’t fully resolve. Songs carry the movement, but the edges stay exposed.
It moves from remembering into fracture, then into something quieter that never really settles.
Indie, folk, rock. Slow burn pacing. Spoken word woven in, not explained.
More night drive than destination.
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