Describing music as “underground” can mean a whole bunch of different things dependent on the context. Often in music circles it can be a stamp of approval, pointing to the fact that, whatever sound it is, comes from a genuine place of creativity not tainted by commercialism. On the flip side, in more commercially minded circles the “underground” label can point to something half-arsed and ill-conceived, unable to communicate with humanity at large. So what is the true definition of underground? Can it be pinned down at all in an age where everything is available at the click of a button and music scenes exist without borders? Let’s break it down…