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Comments
Bibliography:
Barker, Hugh and Yuval Taylor. Faking it: The quest for authenticity in popular music. New York: Norton, W.W. & Company, 2007.
Frith, Simon. Music For Pleasure. New York: Routledge, 1988.
Griffiths, Dai. “From lyric to anti-lyric: analyzing the words in pop song”. In Analyzing Popular Music, 39-59. Edited by Allan F. Moore. Cambridge: Cambridge University Press, 2003.
Horner, Bruce, and Thomas Swiss. Key Terms in Popular Music and Culture. Oxford: Blackwell Publishers, 1999.
Morley, Paul. Words and Music. London: Bloomsbury Publishing, 2003.
Pattison, Pat. Songwriting Without Boundaries. Cincinnati: Writer’s Digest Books, 2011.
Pattison, Pat. Writing Better Lyrics. Cincinnati: Writer’s Digest Books, 1995.
Shuker, Roy. Key Concepts in Popular Music. London: Routledge, 1998.
Tate, “Dada”. Tate. http://www.tate.org.uk/learn/online-r... (accessed February 5, 2016).
Webb, Jimmy. Tunesmith: inside the art of songwriting. New York: Hyperion, 1998.
Discography
Sigur Rós, “Sæglópur”.
https://www.youtube.com/watch?v=vmD-9_ZifB8. 2013; accessed 5 February 2017.
David Bowie, “Warszawa”.
https://www.youtube.com/watch?v=9Gy94N_mcWs. 2008; accessed 5 February 2017.
AGF, “Than Consider”.
https://www.youtube.com/watch?v=Tl0jCT4j80o&index=22&list=PLRncYC83J41S3RbqhOFVR30J4yAHcV52h. 2009; accessed 5 February 2017.