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DJCT (Chris Thatcher)

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Melbourne, Australia

Chris is a versatile DJ based in Melbourne, known for his warm, eclectic style and a knack for reading the room. His sets move fluidly through variations of House from deep and hazy bass to playful cuts and chopped Afro vocals and just as at home with classic hip hop, trip hop, tech house, and timeless gems from the 60s to the 70s.
PLEASE NOTE:
Having payed as DJ Chris Thatcher for 25+ years, he now goes by DJCT having emerged from the wild woods of Moonee Valley with a new take on his craft. No longer posting new mixes to mixcloud, enjoy a small selection from the vaults and go see him live in his shamanic form and dandy aesthetic or watch him on screen @christhatchercreative

Vinyl Spirit, Digital Hands
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Vinyl Spirit, Digital Hands

by DJCT (Chris Thatcher)

Over the years, I have moved from analogue to digital, and back again. But now, I stand in a different place—no longer caught between formats, but clearer in purpose. It is 2025, and I no longer collect vinyl. The cost has become inflated beyond sense. The ritual is still beautiful, but the practicality is lost. Records now sit on retail shelves priced between seventy and one hundred dollars. The market feels like a bubble—a tulip craze, a dot-com fever. And let’s be honest: even in the heyday, how many records were truly listened to from start to finish?

Today, I use digital—but not through a laptop, not through endless folders of forgotten tracks. I carry a modest GB's of carefully selected music. I use a small unit—which travels easily and performs brilliantly. I have made peace with digital. I’m not drowning anymore; I’m swimming.

There was a time when I questioned the dedication of any DJ who chose digital for convenience. I now understand that dedication does not live in weight or sweat alone. It lives in the intention behind what is played. It is not just about skill, but about presence, generosity, intuition. A DJ is not just a performer—they are a listener, a responder, a translator of energy.

I still believe DJs should pay for their music. I still believe in knowing your tracks deeply, not hoarding them. But I no longer cling to the idea that ownership defines value. Style, selection, and the shape of your choices—this is the fingerprint of the DJ.

Though vinyl is gone from my regular practice, I carry its spirit forward. I still chase good signal paths. I tune my PA for warmth and presence. I keep my rig lean, tactile, human. Some nights, I ride to a gig with a USB and a DJ unit strapped to my back. That, to me, is homage enough.

I have stepped away from social platforms under the Meta umbrella. The promise of visibility came with pressure, manipulation, and fatigue. I no longer wish to be shaped by algorithms or solicited by systems. My presence, from here forward, will be quieter, more direct, more intentional.

And then there is AI. I use it to extend my thinking. I discuss ideas, signal flow, event promotion. I use it to write, to reflect, and sometimes, to discover.

What has not changed is this: I play what I enjoy. I avoid track indigestion. I strive to earn the trust of those in the room. To that list, I now add a fourth principle:

Have fun.

Because joy is not a by-product—it is the engine. And without it, we are simply pressing buttons. With it, we create something worth remembering.

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