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Entombed, My Dying Bride, Paradise Lost, Obituary, >> Cathedral and more.
A recent conversation with South London based artist and electronic composer Paul Snowdon turned to the subject of formative influences: what arcane sounds kicked off the process that culminated in the birth of his horological alter-ego, Time Attendant? On discovering that Snowdon’s creative secretions were initially stirred by the extreme end of early 90s Metal - not so unlikely when one considers the abrasive tones and textures of his recent Tournaments EP for Exotic Pylon Records - we invited him to pay tribute to the rampant morbidity and restless innovation of that unholy epoch. Soon after, the nasty, brutish and short Caput Mortuum mix arrived in our narthex, leaving a sulphurous odour that persists no matter how hard we scrub the stonework.
Read the full interview here: http://theoriginalouterchurch.tumblr.com/post/40777189348