Meg has been working with us for over 3 years (and was also to be found behind the scenes at Phonica) but now she's moved on to work full time at The Wire magazine. I'd qualify her tastes as beautiful noise, not because it screams like the shoegaze sound of the 90's but because it whispers it's subtle dissonances. Meg delivered a set of mesmerizing soul massaging eclecticism, some of the records we simply had never heard of, but that's a good thing of course!