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« La formation du dissensus dans les arts sonores contemporains » D. Balit @HEAR - 11.03.14

« La formation du dissensus dans les arts sonores contemporains » D. Balit @HEAR - 11.03.14

Daniele Balit is a cura­tor and art his­to­rian. He is a foun­ding mem­ber of the cura­to­rial venue 1:1 Pro­jects (Roma) and ini­tia­ted Bird­cage, a tra­vel­ling project-space based on sound prac­tices. He holds a PhD in Art His­tory at La Sor­bonne Uni­ver­sity – Paris 1, with a the­sis about the ori­gins of sonic expe­ri­men­ta­tion and their impact on exhi­bi­tio­nal contexts. He co-founded the OuUnPo — Ouvroir d’Univers Poten­tiel (“Work­shop for poten­tial uni­verses”) col­lec­tive. He has been coor­di­na­ting the artis­tic acti­vi­ties for the Vision Forum orga­ni­za­tion at Linkö­ping Uni­ver­sity, Norrkö­ping, Swe­den (2008−2010). Among other exhi­bi­tions and pro­jects, he cura­ted « If you don’t want God, you’d bet­ter have a Mul­ti­verse » (for which he co-organized semi­nars in Roma, MACRO Museum, in Paris, Fon­da­tion Kadist, and in Skopje, Press to exit pro­ject space) ; « The Invi­sible Gene­ra­tion » Mel­bourne... www​.dbar​chives​.net www​.bird​ca​ges​pace​.com

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