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  • 2 years ago
From Silver Apples of the Moon to A Sky of Cloudless Sulfur

From Silver Apples of the Moon to A Sky of Cloudless Sulfur

Starting in the late 1950s, with my work on a sound/music score for a production of King Lear, I became infatuated with the notion of composing music as a studio art. I was convinced that an imminent technology explosion would offer, for the first time in history, an alternative to the centuries-old, three-person model of the solitary composer, alone at a desk writing music with pen and paper, the performer reading and performing the music on an instrument, and the audience listening to that music in an auditorium. This was the dream that prompted Ramon Sender and me to search for someone to create an electronic music easel; that someone became Don Buchla, resulting in the design and building of the first “Buchla Box,” the first analog synthesizer. I began my life’s work of creating a new music in a technologically impacted world; a world yet to come. The dream was realized in a series of works starting with Silver Apples of the Moon and ending with A Sky of Cloudless Sulphur; my versi

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