Rene Matić (b. 1997, Peterborough) is an artist currently working in London. Their work brings together themes of post-blackness, glitch feminism and subcultural theory in a meeting place they describe as rude(ness) – bringing to light (or dark) the fated conflicts and contradictions that one encounters while navigating the world in a body like their own.
Matić’s research reaches back to post-war Britain and the survival tactics and ‘tap dances’ of Britain’s Brown babies. They take their departure point from dance and music movements such as Northern soul, Ska and 2-Tone. Matić’s current work predominantly explores the Skinhead movement, its founding as a multicultural marriage between West Indian and white working-class culture and its subsequent co-option by far-right white supremacists. They use this as a metaphor to examine their own experience of living in the Black British diaspora, to excavate white jealousy, the continued legacy of colonialism and the fear of a Black planet.