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Spurred on by the paranoia of an America at war and the arrival of European film-makers in Hollywood, pulpy detective pot-boilers took on a genre of their own in the 1940s – and the classic film noir was born. Author and historian Eddie Muller discusses Bogart’s ‘In a Lonely Place’ (1950) and noir queen Lizabeth Scott. Plus: one Viennese cinema’s intimate love affair with 1949’s ‘The Third Man’.