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  • 2 years ago

Sneaking about in the shadows, dressed in our Burberry trenches, we assess the spy scene in the cinema. From Michael Caine in ‘The Ipcress File’ (1965) to Alfred Hitchcock’s ‘Saboteur’ (1942), author and social scientist Toby Miller stitches together the clues to determine how espionage thrillers impact our view of the world we live in.

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