In February, the IFI hosted a comprehensive retrospective of the work of Cathal Black.
Sunniva O'Flynn Head of Irish Film Programming at the IFI writes "Part of Ireland’s ‘First Wave’ of independent filmmakers in the 1970s and ‘80s, Black began to explore the contradictions, problems and preoccupations within Irish society in a way which hadn’t before been attempted in film. He wanted to “make Irish films for Irish audiences, pictures that are recognisably Irish but stand up to European notions of style . . . to be truthful to our own visual interpretation of this country and reach Irish audiences our way.”
Black’s narratives of distinctly drawn and wholly sympathetic individuals are often bleak but leavened by dark humour, or historical and enlivened by ingrained and powerful passions. He burrows into the national psyche to find unsettling tales of unease – of alienation, homosexuality, prostitution, emigration, poverty and despair. His characters fight to escape the shibboleths of